Tag Archives: Music

Heaven Blogs #2: Prima la musica, poi le parole

Music is vitally important to my writing. The first thing I do when I start work on a new play is figure out the soundtrack – not music that will make it into the script directly (usually), but the sounds that feel like the world of the play. It’s one of my favourite parts of the process, not just because it’s useful to me creatively but because the hours that I spend searching for the right pieces always yield a ton of excellent new discoveries.

 

I start by going to YouTube and if I have a piece in mind, I look it up and start wandering through the recommended videos. If I don’t have any specific starting point in mind, I just start typing words related to the world and characters until I find something. Even when I do know which track to start with, it’s often quite abstract. I just go by intuition.

 

In the case of Heaven Burns, my starting point was a song I had heard in a café and Shazam’d – CW Stoneking’s Don’t Go Dancing Down the Darktown Strutters’ Ball. Why that piece? Not a clue. That song didn’t end up on the soundtrack, it just led me to other things that did. The first was another CW Stoneking track, The Love Me or Die, which quickly established itself as Christian Caddell’s anthem.

 

After that I began following links and refining search terms until I somehow found my way to Karlheinz Stockhausen’s Luzifer’s Abschied. It’s… weird. Not the most musical of music, and every single character in Heaven Burns would be horrified at how Catholic it is, but it was exactly what I needed to get me into the right place to write some of the more emotionally gruelling scenes.

 

Beyond the YouTube playlist, however, there was another musical influence on the script. I wrote most of the text during August 2015, while I was operating for Lucid Arts & Music’s production of The Secretary Turned CEO. It was a reimagining of Pergolesi’s La Serva Padrona, blending the original baroque intermezzo with Danyal Dhondy’s original music – all of it beautiful and sparkly, all of it a downright bizarre influence on a dark, moody tale of 17th century witch panics. But somehow it brought out aspects that I hadn’t realised the story and characters would have, particularly where the character of Isobel was concerned. Her story became more romantic and her intelligence got sharper, and both of these things I attribute to the strange juxtaposition of music and subject matter.

 

At the moment I’m supposed to be making decisions about what kind of music, if any, will feature in the show this August. I know what I’d like to do, though time will tell whether I have the resources to make it work. I know that my ideas might completely change in response to the workshop we’ll be doing next week, when I hand the cast over to Flavia for their first movement direction session. I’m fairly certain that none of the pieces I’ve mentioned here will appear in the final show… but you never know.


Things I do for the sheer giddy hell of it

If you ask me what I like doing in my (ha) copious free time, most of my answers will be completely unsurprising. It’s mostly arty stuff, overlapping with my professional life – writing, music, reading, watching films, watching plays. I’m also fond of cooking and baking, and I like trivia quizzes.

There’s something that all of these things have in common. Specifically, I’m good at them. (Well, strictly speaking I’m not good at music, I am a terrible musician, but I’m a good singer so I can fool people into thinking I’m good at music.) I can interpret books, plays and films and discuss them endlessly. I am a repository of information that is never useful anywhere other than a quiz or when writing a play or a novel. My lemon drizzle cake is fantastic, and I make a killer Cullen Skink.

Without wishing to sound arrogant, I’ve always been pretty good at these things. Training and practise have helped, of course, but I don’t remember a time when I couldn’t do all of these things at an above average level.

Like many “gifted” people, my gifts came at the cost of my work ethic in my early years. Being naturally quite good at a lot of things, I was able to coast. I was clever enough to find workarounds for things that challenged me, but not quite clever enough to foresee the problems I was storing up for myself. Music is a good example here. I took singing lessons and, briefly, piano lessons when I was 14. For some reason reading sheet music was difficult for me, so rather than practise until it became easy I relied on having a good ear, decent pitch and muscle memory to see me through. It works for a little while, but I assume that if I’d been able to continue with piano for longer I’d have learned that there’s a stage at which you can’t just fake being good any more, you need to actually be good. I certainly reached that stage with things like languages. I got to university and suddenly the As weren’t quite as effortless as they used to be, so I found myself battling to acquire a work ethic at 17.

With all of that in mind, it always surprises me that one of my favourite hobbies is playing computer games. Let it be known that I am really, really bad at computer games. I can hold my own in some fighting games where furious button-mashing will carry the day. I’m decent at Tetris. But that’s about it. Where most games are concerned, including many of my favourites, I suck badly.

The first game I remember playing was Dig Dug. An uncle of mine had a home computer back in the days when those were rare, and he let me play it a couple of times. I loved it. I was bad at it.

Next came my cousins’ Sinclair Spectrum. They had Cauldron. I was probably about five and obsessed with anything witch-related, so I fell madly in love with the game. I don’t think I ever got past the first couple of screens, but that didn’t matter. There was this world in the computer and I could interact with it and I WAS GOD. This is probably the basis for much of my enjoyment of these games.

Eventually my dad set up a home office and I was sometimes allowed to play Solitaire on it, which wasn’t quite the same thrill as Cauldron. I continued to covet my cousins’ Spectrum, then their Nintendo, but eventually Dad let me expand my PC game repertoire with a pirated copy of King’s Quest 3. It’s a good thing I was dreadful at it and didn’t have a copy of the manual that had all the copyright protection spells in it – the pirated version was missing half the game, and I’d have been gutted if I’d successfully felinified the evil wizard only to be told I had to Insert Disk 2. Still, my crapness didn’t hold me back. I loved this unclearly-drawn world of magic and maps and I spent many happy hours trying in vain to climb down that bloody mountain path and typing in commands the game didn’t understand.

Then, at about the same time, my cousins got a Sega Megadrive and I got Sid Meier’s Pirates!, which still holds a place in my heart as one of my favourite games ever. At the same time as conquering the Caribbean (or failing spectacularly to), I was learning the delights of Sonic, Street Fighter II and Streets of Rage. Since my access to these games was severely limited, restricted not only by the infrequency of our visits but by the necessity of sharing with my cousins, I’m not surprised that I never became much good at them. But I loved them all the same.

I pestered my parents briefly to let me save my pocket money for a console of my own, but my dad brought that dream to an abrupt end by explaining that such a feat would take me years, and even then I wouldn’t be able to afford the games. I made do with being allowed to play games on his PC at weekends. I started to get better at Pirates and the Sierra games, along with a handful of oddities that entered my life because I found them in the sale bin at Makro or because I’d got my hands on a dodgy copy. Without wishing to enter the current contentious debate about “girl gamers”, I found that liking computer games put me squarely in the company of the boys at school. I don’t know whether I was the only girl in my class (both at primary and secondary, now that I think about it) who played computer games, but I was certainly the only one who was open about it and part of the little circle of kids swapping disks and photocopied manual pages under the desk. By those means, games like Monkey Island, Theme Park and Dune entered my life. I fell head over heels for the wit and lateral thinking of Monkey Island (well, wit, lateral thinking and GHOST PIRATES), and while I found that the resource management of the other two games challenged my attention span, I enjoyed the feeling of achievement I got when something I’d worked hard at went right.

Unfortunately, once I started secondary school I lost my little coterie of fellow gamers. If there were people who liked computer games at my tiny secondary school, I didn’t find them. I continued to play alone, but my supply of new games dried up. Then I began to concentrate on theatre and spent less time on games, and they remained an occasional pleasure for some years. I watched with envy as the World of Warcraft craze began, but I never got involved because I’m too much my father’s daughter to play anything I have to pay a subscription for. One-off purchases and single-player are more my jam. As an adult I contented myself with stocking up on legal copies of all those games I had once pirated and completed some that had stumped me as a child, sometimes due to my own ineptitude and sometimes due to my inability to afford hint lines/hint books (on which note, fuck you Sierra for putting the unicorn bridle in King’s Quest IV behind another object on a screen that was only accessible once in the game and generally only found by people with hint books).

Eventually it occurred to me that as an adult, I could now buy a games console if I wanted. I still couldn’t quite bring myself to pay the price for a new one, but I bought a second-hand Wii from a friend. He left Street Figher II and The Legend of Zelda: A Link to the Past on it. A few years later when my now-husband moved in, we fetched his old consoles from his parents’ place and began to play through old favourites. I started searching the internet for old PC games that I hadn’t been able to find copies of, which led me to GOG, and from thence to Steam and Humblebundle… Indie game El Dorado.

Just as I loved the old, simple games that introduced me to the joys of pixels on a screen, so I love the gorgeous games that are being released now. There’s so much beautiful artwork, so many brilliant scores, such clever gameplay… Some truly excellent games, some that do really interesting things that aren’t quite successful but are still really cool… and some that I don’t enjoy but am still interested to check out, especially considering that games don’t cost a fraction of what they used to when physical distribution was the only option.

It makes me really happy to have grown up with games and seen the progression from Dig Dug and Space Invaders to things like The Bridge, Braid, Crusader Kings II, Pid, and the game that has been my favourite thing for the past year, Don’t Starve.  I’m not bad at the stunningly-illustrated puzzles in The Bridge, though I do get seasick from the spinning screen. I don’t quite have the patience for Braid but I love to watch my  husband play it. I truly suck at Crusader Kings II, but once I stopped trying to be a good ruler and embraced my capacity for tyranny it became lots of fun. Don’t Starve is probably the game I’m best at, though I’m still pretty terrible and I cheat like hell by using mods to alleviate some of the game’s less forgiving aspects. I will never be one of these people with a massive fancy base, breezing through Adventure Mode just for kicks, but I will be the one having a high old time fighting death-or-glory battles with beasties several times my size. Sometimes I don’t have to be particularly good at things. I don’t say this often, but… from time to time, just having fun is enough.

Occasionally I encounter people who really seem to have a problem with adults playing computer games. I’ve been told that I should have grown out of it by now, and that it’s sad/shocking/both to see “a grown woman” wasting her time this way. Unsurprisingly, this is not criticism I choose to entertain. Firstly it’s my spare time and I’ll do as I damn well please with it. Second, I don’t consider it wasted time (and I suspect that if the people who say these things knew more about the massive, diverse range of games out there, they wouldn’t either). I enjoy every minute of it, even if I’m not good at them. That was true when I was eight and when I was sixteen. It’s true at thirty-two. I fully expect it to be true at sixty-four, and be damned to what anyone else thinks.

And when I’m 64, I expect that I’ll still be asking my husband to defeat the Helmasaur King for me. I never could kite that guy, and sometimes a girl has to know when to ask for help.


Plugging Project: Kabarett

This post will involve a little less introspection than usual and a hell of a lot more plugging. I have an event coming up that I’m quite excited about…

On Saturday 27th July I’ll be taking part in Project: Kabarett, a fundraiser for an amazing immersive Weimar experience. It’s the brainchild of Susanna Mulvihill, who plays Madeleine Smith in Tightlaced’s production of I Promise I Shall Not Play Billiards, and it’ll be opening at Summerhall in January 2014 – but first we need to find the money.

The show itself, properly titled 1933: Eine Nacht im Kabarett, will bring together Edinburgh-based artists from all sorts of disciplines and many of the people who are currently working on the project will be taking part in the fundraiser on the 27th. I don’t know the whole line-up at the moment, but I know about a handful of the performers and can assure you that it’ll be an eclectic mix and a great night for £10!

We’ve got three short plays from me, Susanna and Tightlaced Resident Writer Fiona McDonald (who was recently longlisted for the James Tait Black Award, so we’re all even prouder of her talent than usual). We’ve got Miss Fi and the Lost Head Band, Eleanor Morton, Colin Hoult, Tom Watton, Hazel DuBourdieu and a sneak preview of song of the music for 1933! We’ll also be giving you a chance to win a variety of interesting prizes, ranging from Fringe tickets to a custom-written short play.

Susanna and I also have our first outing as Chanson et le Chat, taking on a few operatic favourites and hopefully winning. It’ll be the first opportunity anyone has had to hear me sing in public since 2005 (I think), so it’s a combination of nerve-wracking and exhilarating for me… and possibly for the audience! Our programme consists of Mozart, Offenbach, Rossini and the inevitable Delibes, and we’ve been having a great time getting them into shape.

So if you fancy an evening of appreciating and supporting Edinburgh’s local talent before the world arrives on our doorstep for the Festivals, the trick is to contact sporadicmusic@gmail.com to book tickets! Please come. You’ll love it.

 

And of course, there’ll be an over-long introspective post about the return to singing at some point between now and the 27th… I wouldn’t dream of doing this or anything else without a little bit of angst.


Looking Back on a Lonely Christmas

The tree is up and lit, the flat smells of spiced biscuits and hot cider (testing new recipes on some friends ahead of this year’s Christmas party), there have been carols on the stereo for much of the day and my husband and I just finished watching one of my favourite Christmas films, The Fool of the World and the Flying Ship. This will be our second Christmas together, so we’re still establishing our traditions – and I’m so glad that we are.

I love Christmas. I had a secular upbringing and have never been baptised into or practised any religion, but I’m quite happy to get in on other people’s religious festivities if it means a bit of light and merriment in darkest December (and my birthday is on the 20th, so it’s a time of year I’ve always associated with celebration anyway). However, as much as I love Christmas, for some time after my parents died I had no idea what to do about it. I feel like I’m finally finding my way back into it after a long gap.

The final Christmas with Mum and Dad was a lovely one. I remember they gave me a pair of red stiletto boots, which I still have, and for a joke they gave me some Brio (the wooden train set stuff). I had always wanted Brio when I was little  but it was beyond our budget back then, so instead I got it when  I was on the cusp of adulthood and the family’s finances were much healthier. They had planned to keep the joke for my 21st, but I’m glad they didn’t since only one of them would live to see it. There’s a photo somewhere of me and my Dad, both still in pyjamas, building a scene from Back to the Future III out of Brio. We went through to Linlithgow for lunch and to uphold the family tradition of feeding the ducks. I had made Christmas cake for the first time. The tree was the same tree that we have in our living room now.

Of course I didn’t know it would be our last Christmas together – at that point we had no idea anything was wrong. But the following year my dad and I spent Christmas wondering what to do with ourselves, not feeling right about honouring any of the traditions, not feeling right about ignoring them either. I had just turned 21, but we didn’t feel like celebrating when Mum had died just a couple of months before.

The year after that, when I had just turned 22, I spent my first Christmas as an orphan. I have no siblings, am not in touch with my extended family, and at that point I hadn’t made most of the friends I have now or grown close enough to impose myself on them for Christmas. On Christmas Day I went to see family friends. I was supposed to stay over, but I couldn’t – nothing to do with them, I just couldn’t stand being the recently bereaved guest at someone else’s family Christmas. I have never been good at being a guest. I like to be around the things and people that are mine, and ever since my parents died I have struggled to be around other people’s families, knowing that I won’t ever be around mine again. So I went home to find my central heating had broken down. 2004 was really not my year.

The thing is, Christmas is utterly miserable for the newly bereaved. Everything is geared towards family and togetherness. Everyone you know is getting ready to go home for the festive season, talking about their travel plans and bitching about their family’s traditions. There is no escape from adverts full of wide-eyed children watched over by a generation or two of smiling adults, all gathered together to rejoice in having everything you’ve just lost. You can’t set foot in a shop without seeing something you want to buy for your dead loved ones, and if you can find the energy to put up a tree there’s a conspicuous gap at the bottom where your gifts to one another would usually be.

But the worst thing of all is the music. Now That’s What I Call Everyone Else Having An Amazing Family Christmas Except You Because Everyone You Love Is Dead And You Are Alone 82! Logically you know that you can’t be the only bereaved person for whom Christmas is proving challenging, but that doesn’t help when you’re being bombarded with All I Want For Christmas Is You and all its horrifically cheerful counterparts whose lyrics take on a whole new meaning after a significant death. It’s a toss-up between those and more obviously melancholy tracks like Have Yourself A Merry Little Christmas  and Stop the Cavalry for which is most likely to provoke floods of tears. And then you get to feel bad because no matter how sympathetic people are, you still know you’re bringing them down at Christmas.

So why am I writing this rather depressing post? Because it gets easier. As the years go by you find ways of coping. You find new people to spend Christmas with, and maybe one day it even feels right. You invent new traditions, you reach a stage where the old traditions are no longer too painful to observe. Perhaps some people get to the stage where they can join other people’s families for Christmas. I haven’t got there yet. I wonder if I ever will.

Most importantly, I wish I had found a post like this on 24.12.04 when I spent Christmas Eve staring at my computer screen trying to make the time pass, knowing that there must be people out there in same predicament but feeling the need for proof. Would it have helped? I don’t know, because I never found what I was looking for. Perhaps there wasn’t as much out there on the interwebs back then. Perhaps my google skills just weren’t as good. But at least I know that if there’s a Jen-equivalent out there this Christmas, desperate for a little comfort, this post will be out there. If it does nothing else, at least it confirms that she’s not the only one. I’ve always found that knowing I’m not the only one helps. I hope she feels the same.