I’m sure many of you have already seen this blog post by playwright Fin Kennedy. It’s the kind of post that makes me really happy to see another passionate, proactive theatremaker out there, but it’s also the kind of post that makes me want to break things when I see how little some politicians understand about the arts – and not just the arts, but about long-term thinking.
It seems that Culture Minister Ed Vaizey has no idea how theatre works. Isn’t that comforting? He thinks that because there’s plenty of new writing on at the moment, that means the recent Arts Council England cuts haven’t had any ill effect. This is a little bit like going on a diet then declaring the following day that since you are not noticeably thinner, it hasn’t worked. The effects take a while to show.
Yes, this is about Arts Council England and I’m a Scottish theatremaker. The funding situation is a bit different up here. But what happens south of the border will have an effect north of it, and I’d rather see new writing continue to thrive throughout the UK. I’d also like to see the people entrusted with looking after culture at Westminster being a lot more clued up and less terrifyingly short-sighted and commercial in their views. There have been some really worrying comments recently – Vaizey’s attitudes outlined in Fin’s post, Pete Wishart’s sinister post suggesting that artists are geese that lay golden eggs and should be not so much supported as intensively farmed, Maria Miller’s… well, everything Maria Miller has said and done or failed to say and do since she took post. The fact that they’re at Westminter and not Holyrood doesn’t mean that this has nothing to do with us. We must at least be alert and aware.
Fin Kennedy has extracted a promise from Vaizey that if Fin can find evidence that ACE cuts are causing people to scale back their commitments to new writing, Vaizey will read it. If there’s anything you can do to help with this, please do. I have plenty of writers, directors and producers on my social networks, many of whom work in England, and I would be very grateful if you would take a moment to think about where you are seeing the effects of the cuts. Read Fin’s post, and if you see anything on that list that you identify with or can think of any effects that haven’t been mentioned there, contact him. If you can offer practical help with pulling all of this together, contact him. After my recent involvement with the Creative Scotland stooshie I can tell you that what he’s taking on is no small task, and if Fin Kennedy is willing to do that for no other reason than that he thinks it’s important, we should give him all the support and good wishes that we can.
Bravo, Fin. You are doing a noble thing.